{"id":12068,"date":"2020-08-05T08:18:00","date_gmt":"2020-08-05T08:18:00","guid":{"rendered":"http:\/\/chwbkosova.org\/?post_type=chwb_news&p=12068"},"modified":"2020-08-05T08:18:00","modified_gmt":"2020-08-05T08:18:00","slug":"fushat-kreative-heritage-space-v","status":"publish","type":"post","link":"https:\/\/chwbkosova.org\/sq\/fushat-kreative-heritage-space-v\/","title":{"rendered":"FUSHAT KREATIVE – HERITAGE SPACE V"},"content":{"rendered":"

Rr\u00ebfim dhe interpretim<\/strong><\/p>\n

\u00a0<\/span>T\u00eb vendosura s\u00eb bashku, rr\u00ebfimi dhe interpretimi luajn\u00eb nj\u00eb rol t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb ndryshimin e m\u00ebnyr\u00ebs s\u00eb qasjes, p\u00ebrvoj\u00ebs dhe komunikimit t\u00eb trash\u00ebgimis\u00eb kulturore. P\u00ebrkund\u00ebr detajeve faktike, rr\u00ebfimi dhe interpretimi fokusohen n\u00eb njer\u00ebz, n\u00eb t\u00eb kaluar\u00ebn dhe lidhjen me vendin, dhe si t\u00eb tilla, shpalosin tregimet njer\u00ebzore q\u00eb q\u00ebndrojn\u00eb pas trash\u00ebgimis\u00eb s\u00eb p\u00ebrbashk\u00ebt.<\/span>
\n<\/span>
\n<\/span>Rr\u00ebfimi dhe interpretimi mund t\u00eb p\u00ebrfshijn\u00eb: histori individuale dhe komb\u00ebtare t\u00eb ruajtura dhe rr\u00ebfyera si tregime, narrativa t\u00eb bazuara n\u00eb fakte mir\u00eb t\u00eb hulumtuara, dije lokale dhe thashetheme, p\u00ebrralla, mite, legjenda, fjal\u00eb-goje, q\u00eb n\u00eb p\u00ebrgjith\u00ebsi, p\u00ebrmes mediumeve t\u00eb ndryshme shpalosin perspektiva q\u00eb kan\u00eb p\u00ebr q\u00ebllim t\u00eb arg\u00ebtojn\u00eb, edukojn\u00eb, ruajn\u00eb dhe pasurojn\u00eb kultur\u00ebn ton\u00eb t\u00eb p\u00ebrbashk\u00ebt.\u00a0<\/span><\/p>\n

Digjitalizimi i trash\u00ebgimis\u00eb<\/strong>
\n<\/span>
\n<\/span>Me nj\u00eb shkall\u00eb n\u00eb rritje t\u00eb dep\u00ebrtimit t\u00eb internetit n\u00eb mbar\u00eb bot\u00ebn prej 59%, dhe me nj\u00eb norm\u00eb vendore prej mbi 95%, digjitalizimi ka marr\u00eb nj\u00eb rol ky\u00e7 n\u00eb dh\u00ebnien e mund\u00ebsis\u00eb p\u00ebr qasje n\u00eb informacion. P\u00ebr m\u00eb tep\u00ebr, p\u00ebrgjat\u00eb pandemis\u00eb aktuale globale, r\u00ebnja drastike e mund\u00ebsive p\u00ebr qasje n\u00eb burime kulturore (mbi 90% e muzeve n\u00eb t\u00eb gjith\u00eb bot\u00ebn jan\u00eb mbyllur p\u00ebrkoh\u00ebsisht), ka prodhuar nj\u00eb nevoj\u00eb t\u00eb theksuar p\u00ebr proceset si\u00e7 jan\u00eb digjitalizimi dhe ruajtja digjitale.<\/span>
\n<\/span>
\n<\/span>Digjitalizimi dhe qasja online ofrojn\u00eb komunikim dhe promovim m\u00eb t\u00eb madh t\u00eb koleksioneve t\u00eb ndryshme t\u00eb muzeve, librarive dhe arkivave. Krahas t\u00ebrheqjes s\u00eb vizitor\u00ebve, turist\u00ebve dhe hulumtuesve, kjo gjithashtu t\u00ebrheq edhe bizneset deri tek ekonomit\u00eb rajonale. Me trendet e fundit t\u00eb rritjes s\u00eb aktiviteve online, n\u00ebp\u00ebr muze dhe institucione tjera kulturore, mund\u00ebsia p\u00ebr komunikim me publik m\u00eb t\u00eb gjer\u00eb ka arritur pik\u00ebn m\u00eb t\u00eb lart\u00eb n\u00eb historin\u00eb e vet p\u00ebrmes digjitalizimit t\u00eb praktikave t\u00eb ruajtjes s\u00eb trash\u00ebgimis\u00eb.<\/span><\/p>\n

\u00a0<\/span>Trash\u00ebgimia e err\u00ebt\u00a0<\/strong><\/p>\n

Shum\u00eb nga shoq\u00ebrit\u00eb bashk\u00ebkohore jetojn\u00eb me plag\u00eb t\u00eb historis\u00eb q\u00eb vijn\u00eb nga lufta, trazirat civile dhe nga dhuna sistematike shoq\u00ebrore q\u00eb nxisin armiq\u00ebsi etnike dhe diskriminim racor.<\/span><\/p>\n

K\u00ebto periudha t\u00eb err\u00ebta n\u00eb histori dhe trash\u00ebgimia q\u00eb ato mbartin n\u00eb shoq\u00ebrin\u00eb e sotme, p\u00ebrfaq\u00ebsohen p\u00ebrmes hap\u00ebsirave t\u00eb ndryshme, si\u00e7 jan\u00eb: vendet e masakrave apo varrezat masive,\u00a0 vendet q\u00eb lidhen me t\u00eb burgosurit e luft\u00ebs dhe t\u00eb burgosurit politik, memorialet dhe vendet p\u00ebrkujtimore. K\u00ebto jane vende q\u00eb mund t\u00eb sjellin dhimbje nga e kaluara p\u00ebr viktimat dhe turp p\u00ebr p\u00ebrdhunuesit p\u00ebr dhun\u00ebn dhe ideologjit\u00eb q\u00eb ata kan\u00eb p\u00ebrfaq\u00ebsuar.<\/span><\/p>\n

Prandaj, duke eksploruar nocionin e trash\u00ebgimis\u00eb s\u00eb err\u00ebt, ne synojm\u00eb t\u00eb zgjerojm\u00eb interpretimin e hap\u00ebsirave t\u00eb caktuara qe reprezentojn\u00eb te kaluar\u00ebn e dhunshme dhe p\u00ebrvojat q\u00eb shpalosim t\u00eb kaluar\u00ebn e err\u00ebt, nga perspektiva bashk\u00ebkohore.\u00a0<\/span><\/p>\n

Arkivimi i s\u00eb p\u00ebrkohshm\u00ebs: Praktikat e dokumentimit n\u00eb koh\u00eb reale<\/strong><\/p>\n

Arkivat jan\u00eb sisteme t\u00eb kujtes\u00ebs kolektive. Gjithashtu, ato luajn\u00eb rol n\u00eb formimin e kolektiviteteve kulturore t\u00eb s\u00eb ardhmes. Si ta akrivojm\u00eb at\u00eb q\u00eb \u00ebsht\u00eb e p\u00ebrkoh\u00ebshme apo kalimtare? Si do ta bartim dijen e realitetit pandemik tek gjeneratat e ardhshme? Arkivimi i s\u00eb p\u00ebrkohshm\u00ebs: Praktikat e dokumentimit n\u00eb koh\u00eb reale hulumton projekte arkivore t\u00eb cilat mund t\u00eb jen\u00eb prodhuar n\u00eb kontekste t\u00eb jet\u00ebs s\u00eb p\u00ebrditshme, q\u00eb regjistrojn\u00eb tipare t\u00eb p\u00ebrkohshme t\u00eb mjedisit fizik, dhe kan\u00eb parasysh rrezikun e zhdukjes nga kujtesa kolektive.<\/span><\/p>\n

Kjo fush\u00eb mund t\u00eb p\u00ebrfshij\u00eb arkiva t\u00eb reprezentuara n\u00eb \u2013 dhe t\u00eb mbledhura p\u00ebrmes \u2013 pun\u00ebve kreative: praktika t\u00eb vet\u00eb-dokumentimit, memoare, shkrime kreative jo-fiktive, ditar\u00eb vizuel, arte performuese, instalacione artistike, dhe arkiva hibride q\u00eb ng\u00ebrthejn\u00eb objekte materiale dhe gjithashtu adresojn\u00eb praktika q\u00eb jan\u00eb zhdukur p\u00ebr shkak t\u00eb, dhe p\u00ebrtej pandemis\u00eb. Si p\u00ebrmbledhje, praktika t\u00eb dokumentimit n\u00eb koh\u00eb reale q\u00eb krijojn\u00eb vler\u00eb t\u00eb shtuar dhe kontribuojn\u00eb drejt\u00eb asaj q\u00eb mund t\u00eb cil\u00ebsohet si trash\u00ebgimi n\u00eb t\u00eb ardhmen.<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Rr\u00ebfim dhe interpretim \u00a0T\u00eb vendosura s\u00eb bashku, rr\u00ebfimi dhe interpretimi luajn\u00eb nj\u00eb rol t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb ndryshimin e m\u00ebnyr\u00ebs s\u00eb qasjes, p\u00ebrvoj\u00ebs dhe komunikimit t\u00eb trash\u00ebgimis\u00eb kulturore. P\u00ebrkund\u00ebr detajeve faktike, rr\u00ebfimi dhe interpretimi fokusohen n\u00eb njer\u00ebz, n\u00eb t\u00eb kaluar\u00ebn dhe lidhjen me vendin, dhe si t\u00eb tilla, shpalosin tregimet njer\u00ebzore q\u00eb q\u00ebndrojn\u00eb pas trash\u00ebgimis\u00eb s\u00eb […]<\/p>\n","protected":false},"author":6,"featured_media":12069,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-12068","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-heritage-space-sq"],"_links":{"self":[{"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/posts\/12068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/comments?post=12068"}],"version-history":[{"count":0,"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/posts\/12068\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/media\/12069"}],"wp:attachment":[{"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/media?parent=12068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/categories?post=12068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chwbkosova.org\/sq\/wp-json\/wp\/v2\/tags?post=12068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}